Here’s a quick overview of some of the recent development on the Foundations of House project. Lots has changed, so have a read!
All in Blog
Here’s a quick overview of some of the recent development on the Foundations of House project. Lots has changed, so have a read!
In the final instalment of the In Memoriam mini-series, we tackle the difficult topic of heritage and place. Using the example of the recent destruction of the Paradise Garage, we ask how we should remember sites.
Something is seriously wrong in dance music. We’ve lost ownership. We’ve sold it for cheap buck, and lost our links to our historic past through inappropriate performance and insincere interpretation. Orchestras are to blame.
A short annoucement and link to the latest research output from the Foundations of House project, published in Popular Music and Society.
The second of three posts exploring how we remember. Just how should we deal with record collections? Are they public property? Who owns legacy?
We need to address issues in our past. Dance music believes itself egalitarian. But can we really say that when we’re making “tribal house”?
The first of three posts that explores the connection between commemoration and memory in dance music culture. How should we best commemorate house music and disco’s lost heroes?
After a somewhat disastrous set the other night, I thought I'd share with you what was originally planned. Includes a full AV feed of the planned show.
Exploring the idea of DJing a queer identity in conjunction with the Temporary Autonomous Zones installation curated by Oren.
Historian Dan Johnson shares his thoughts on how we might learn to question and trust the history of house music once more.
Redlining might be one of the most important factors in house music's history. It may have actually created the environment that underpinned house music's genesis.
The FoH blog explores the problems presented by "documentaries" and the impact of yellow journalism in popular music research.
A quick update detailing the live speaking dates for 2017 for the Foundations of House project.
FoH offers some personal thoughts on the connection between right-wing political climates and the stimulation of artistic endeavour in dance music history.
FoH waves goodbye to America and somehow try to sum up the past two weeks in this baffling and wonderful country.
With the field research coming to an end it's time to ask questions about what I've learned while here, and what's next for house music.
Back in NYC. I'm thinking about how the two cities treat their own legacies, and comparing their attitudes.
Time to leave, off to NYC, and I'm left with questions about what house actually means in Chicago, and to whom does it belong.
FoH asks questions about bias and agendas in research. Should we try to unpick them or just accept that people have an agenda?